Are formed through multiple firings and layered materials, stoneware, porcelain, glass, metal, and stone. Relationships develop through the making, and alongside them, poems or stories begin to surface.

I’ve come to understand that I am a noticer. The work is intuitive, shaped by the invisible, by what is felt, and by what is seen.

Discipline is something I’ve learned to build over time, an internal structure that holds the work steady.

Each piece exists within Clusters of One, yet remains individual. Their titles and stories emerge during the making, or once made. My relationship to each piece, and the story that comes with it, feels equally important.

At the same time, I leave space for the viewer. There is a balance between what I share and what remains open, allowing each person to form their own connection and experience.

Made on the west coast of Canada, just outside Vancouver, in the village of Lions Bay on the edge of Howe Sound, the work emerges from a small boathouse on the water’s edge.