My work begins in clay, but is not bound by it.
I am drawn to the meeting point of poetry and form — the raw and the refined — and to a lifelong fascination with light, water and reflection.
Materials are part of that enquiry. Porcelain, glass, metal, wood, stone and found objects come together through an experimental process of building, testing and discovery. Increasingly, the work moves between object and installation, responding to space, architecture and the way light changes what we see.
Patterns in nature — spirals, shells, the growth of trees and shifting landscapes — sit alongside fragments of architecture and the traces we leave behind. Ideas of shelter, transformation and belonging recur throughout the work.
The process is intuitive and rigorous. I allow the material to lead while pushing it beyond what I already know it can do.
The work needs to be what it needs to be, holding and transmitting something beyond me. At its core, it carries its own presence — something between the tragic and the magic.
Gypsy Woman, 2023 Studio Rö, Milan
H. 46 cm
